I actually do kinda wish I knew where my fullscreen VHS version was, because there’s actually more vertical space you can see on the screen than in the widescreen version. The fullscreen version wasn’t pan and scan. They actually filmed in both widescreen and fullscreen at the same time, so both versions will give you a tiny bit more of the picture than the other, either vertically or horizontally. At one point in the early 2000s, I actually put two TVs next to each other, one with the fullscreen VHS and one with the widescreen DVD playing at the same time to demonstrate this. I wish I could find the picture I took of that setup, haha. Different dialogue in the bar scene. Again, final version is much better. This is what was replaced by: “Looks like 86 is your lucky number.” “You know, one is the loneliest number.” No scene in the script with Mulder in the cab changing his mind to go to Scully’s place. He just shows up there. Cut lines from the booty call scene, er, uh… I mean… drunk Mulder showing up at Scully’s apartment. In the script, Mulder gives Kurtzweil his cell phone, which is why he’s randomly calling Scully from a pay phone in the next scene. Interestingly, other versions of the script have Scully say, “I don’t believe this. I don’t fucking believe this.” But the rest of the (cut) dialogue is the same. I wonder if it’s a different draft or if it was just removed from the commercially sold version of the script.I remember interviews before the film was released talked about how they had Scully saying “fuck” (they could use the word once and still have the movie be PG-13) and had a shot of Mulder’s ass in the hospital, but both of those things were eventually cut. (Mulder’s ass does make an appearance in the bloopers, though–but even the bloopers didn’t get “officially” released to the public until much later.) Also, the cut dialogue here kind of reminds me of a slightly less harsh version of this part of IWTB: “Mulder, I have been through this too many years with you, believing you can you save her. You cannot save her, not now and not ever.” [Update: My tweets about the hallway scene didn’t seem to make it over into this post, and that certainly won’t do, so here are the full pages.]I think the dialogue in the hallway scene was much stronger in the final film, but let’s all just take a moment to appreciate that set direction…"She is silent, moved. In spite of all her desire not to be. She moves to Mulder, holds him. They break slightly and she looks up at Mulder with deep respect, admiration and... kisses him on the forehead. When... ...suddenly a physical intimacy we've never seen. A heat and passion that can't be denied. The opportunity for the inevitable has presented itself. The moment of truth has arrived. Mulder is staring at Scully as she's looking back at him. His head moves slightly toward hers -- as one of his hands moves up to her neck, drawing her to him. Where there is hesitation on her part, there is also desire." Definitely some differences in the car scene with WMM. “Find Agent Scully. Only then will you realize the scope and grandeur of The Project. And why you must save her. Because only her science can save you.” The script states pretty clearly that Kurtzweil is in the trunk, where it’s just heavily implied in the film. I like this description of the Sno-Cat: “Crawling across the harsh frozen land like a doomed insect.” When Mulder fell in the ship and yelled “shit!”, my cat turned to look at the TV, and she’s been watching the screen intently with wide eyes ever since. “(FINALLY!)” LOL “Then you were frozen and I remember I hugged you until you were not frozen anymore…” Carter ships it. He just doesn’t want to admit it in public. LOL
And that concludes our script watch of Fight the Future!